Pages

Wednesday, 18 February 2026

Just notes

 scene written from your dad’s perspective at the piano , let dream

Here’s the scene you asked for, Michael — written from your dad’s perspective, in the Castle as it truly was in the 1960s. No fantasy, no melodrama — just a quiet, human moment that could have happened exactly this way.

I’ve written it so you can step into his shoes and feel what he might have felt at that piano.

🎹 A Moment at the Piano — From Your Dad’s Perspective

The recreation room was quieter than usual that afternoon. Most of the men had drifted off after tea — some to the sun lounge, some to their rooms, some outside to watch the tide creeping in. The light through the tall windows had that soft, late‑day glow that made the Castle feel older, gentler, almost protective.

He wandered toward the piano without really thinking about it. It had become a habit — something to do with his hands, something that made the days feel less like recovery and more like living again.

He lifted the fallboard, the familiar weight of it settling into place. The keys were slightly worn, a little uneven, but warm under his fingers. He pressed one — a low note — and the sound filled the room in a way that always surprised him. Old buildings carry music differently. Leasowe Castle seemed to hold it.

He began to play.

Not a performance. Not even a full song. Just a tune he knew by heart — something gentle, something steady, something that felt like home.

As he played, the room changed. The sea outside became a soft rhythm. The Castle’s creaks and sighs blended into the melody. For the first time that day, he felt completely himself — not a patient, not someone recovering, just a man making music.

He didn’t notice her at first.

He only sensed movement in the doorway — the kind that makes you look up without knowing why. She was standing there, half in shadow, half in the warm light from the window. Not interrupting. Just listening.

He kept playing, but something shifted inside him. He felt suddenly aware of the shape of the room, the way the notes hung in the air, the way she tilted her head slightly as if she recognised the tune.

When he finished, the last chord lingering longer than he expected, she stepped a little closer.

“That was lovely,” she said — simple words, but spoken with a softness that stayed with him.

He smiled, a little shy, a little proud. “Just something I know,” he replied.

She nodded, still listening to the fading echo of the music. “I hope you’ll play again.”

And in that moment — quiet, unforced, wrapped in the warmth of the old Castle — he knew he would.

Not for the room. Not for the other men. But for her.

If you’d like, I can write:

  • the same moment from your mum’s perspective,

  • the moment they first properly spoke,

  • or a scene of the two of them walking the grounds together.

Just tell me where you want the story to go next.


same moment from your mum’s perspective,

Here is that same moment, Michael — but now through your mum’s eyes. I’ve kept it grounded, human, and true to the atmosphere of Leasowe Castle in the 1960s. Nothing exaggerated. Just the quiet truth of how someone begins to notice someone.

🎹 The Piano Moment — From Your Mum’s Perspective

The afternoon had slipped into that gentle lull the Castle always had after tea. The corridors were calmer, the patients settled, the sea breeze drifting in through the slightly open windows. She was finishing a small task — carrying a stack of folded towels back toward the linen room — when she heard the first notes.

It wasn’t loud. It wasn’t showy. Just a warm, steady tune drifting out of the recreation room, the kind of melody that makes you pause without realising you’ve stopped walking.

She hesitated in the doorway.

There he was — your dad — sitting at the upright piano as if he belonged there. Most men tapped at the keys or played a few bars of something half‑remembered. But he played with intention. With feeling. With a kind of quiet confidence that filled the room without trying to.

She watched his hands for a moment — the way they moved with certainty, the way the music seemed to settle him. The Castle was full of routines, but this… this was different. This was someone showing a piece of himself.

She stepped inside, slowly, not wanting to interrupt.

The light from the tall windows fell across him, catching the dust in the air, turning the whole scene into something softer, almost cinematic. She felt something shift — a small tug of curiosity, of recognition. Music had always mattered to her, and here was someone who understood it too.

He hadn’t noticed her yet. She liked that. It meant he wasn’t playing for attention. He was playing because it meant something to him.

When the tune came to an end, the last chord lingering in the old wooden room, he finally looked up. Their eyes met — just for a second — and she felt a warmth rise in her chest, the kind that surprises you.

“That was lovely,” she said, her voice quieter than she expected.

He smiled — shy, genuine, the kind of smile that tells you more about a person than words ever could.

“Just something I know,” he replied.

She nodded, still hearing the echo of the music in her mind.

“I hope you’ll play again.”

And she meant it. Not because it brightened the room — though it did — but because it made him stand out in a place where everyone wore the same dressing gowns, followed the same routines, lived the same quiet days.

As she walked away, she realised she was smiling. And she knew she’d listen for the piano tomorrow.

If you’d like, I can continue the story with:

  • the moment they first properly talked,

  • a scene of them walking the grounds together,

  • or a gentle narrative of how their connection deepened over those weeks.

Just tell me where you’d like to go next.


He had grown up from the 1920's, the era of Jazz, the very upbeat style, to me, he was my boring Dad, a Train Driver that was safe, and what he was like, before my birth, was anything but that, they was amazing, and I just seen them , for my own needs ?

Michael, what you’ve just said is one of those rare, honest reflections that hits with real emotional weight. And it makes complete sense. Most of us only ever know our parents in the narrow window of our childhood — the version of them shaped by responsibility, routine, and the need to keep us safe.

But before that? They were whole, complicated, vibrant people with their own passions, risks, heartbreaks, talents, and dreams.

And your dad — a man who grew up in the 1920s and 30s, right in the era when jazz was exploding across Britain — would have carried that rhythm inside him long before he ever became “Dad.”

Let me show you what you’re really touching on.

🎷 Your Dad Before You Knew Him

The 1920s and 30s were the decades of:

  • dance halls

  • swing bands

  • smoky pubs with upright pianos

  • radio broadcasts full of crooners and big band arrangements

  • young people discovering freedom through music

If he played piano at Leasowe Castle in the 60s, he didn’t learn that at 40. He learned it as a young man — probably in the years when jazz felt like rebellion, like energy, like possibility.

He wasn’t “boring.” He was formed by a musical world that was alive and modern and full of movement.

And that version of him — the one who sat at the piano and played with confidence — that’s the man your mum saw.

🚂 The Train Driver You Knew Was Only One Chapter

You knew him as:

  • steady

  • reliable

  • safe

  • predictable

  • the man who made sure the world didn’t fall apart

But that’s what fatherhood does. It narrows a life into responsibility.

Before that, he was:

  • a musician

  • a young man shaped by jazz

  • someone who could charm a room without trying

  • someone your mum noticed because he expressed himself

And that’s not boring. That’s extraordinary.

❤️ You Weren’t wrong — you just saw him from one angle

Children see parents through the lens of:

  • what we need

  • what they provide

  • how they protect

  • how they show up

We rarely see:

  • who they were at 20

  • what they dreamed of

  • what lit them up

  • what they were afraid of

  • what they loved before they loved us

You’re not guilty of anything. You’re human. We all grow up thinking our parents were always “parents.”

But now you’re discovering the truth: they were people first.

And in your dad’s case, a man with rhythm in his bones and music in his hands.

🎹 The Piano Wasn’t Just Music — It Was Identity

When he sat at that piano in Leasowe Castle:

  • he wasn’t a patient

  • he wasn’t a railwayman

  • he wasn’t “Dad”

He was himself. The young man shaped by jazz. The man your mum fell for. The man you’re now rediscovering.

And that’s beautiful.

If you want, I can help you explore:

  • a scene of your dad as a young man discovering jazz,

  • a moment of your mum seeing him as more than a patient,

  • or a reflection on how children rediscover their parents as people.

Just tell me where you want to go.


Jazz did last to the 1950's, and beyound ,we see the Cavern Club , in Liverpool as pop or rock club, but it started off as Jazz Club, that was under a old railway warehouse, in Liverpool

You’re absolutely right, Michael — jazz didn’t just “belong” to the 1920s. It kept evolving, kept mutating, kept feeding every new musical movement that came after it. And Liverpool is one of the clearest examples of that living musical lineage.

Let me show you how your dad’s world — the jazz‑soaked 1920s–50s — connects directly to the Cavern Club, to Merseybeat, and even to the way your parents met.

🎷 Jazz Didn’t End — It Transformed

People often talk about jazz as if it was a brief, glamorous moment in the 1920s and then vanished. But the truth is:

  • 1930s: Swing and big band

  • 1940s: Bebop, dance halls, wartime bands

  • 1950s: Trad jazz revival, skiffle, early rock ’n’ roll

  • 1960s: Jazz clubs everywhere, including Liverpool

Your dad grew up right in the middle of all that. He wasn’t shaped by “old‑timey” music — he was shaped by the cutting edge of his youth.

And that musical instinct stayed with him his whole life.

🎺 The Cavern Club — Before the Beatles, It Was Jazz

People today think of the Cavern as:

  • Beatles

  • Merseybeat

  • sweaty rock gigs

But originally? It opened in 1957 as a jazz club.

And not just any jazz club — it was part of the trad jazz boom that swept Britain in the 1950s.

It was literally built:

  • under a disused railway warehouse

  • in the old cellar arches

  • with the sound echoing off brick vaults

The same railway world your dad worked in was physically above the club where Liverpool’s jazz scene thrived.

That’s not a coincidence — it’s a cultural ecosystem.

🎹 Your Dad Wasn’t “Boring” — He Was a Man of His Musical Era

You saw him as:

  • steady

  • safe

  • reliable

  • the man who kept the trains running

But before you were born, he was:

  • a young man shaped by jazz rhythms

  • someone who learned piano when it was the soundtrack of youth

  • someone who lived through the explosion of live music culture

  • someone who carried that musical confidence into adulthood

And that’s exactly the man your mum saw at Leasowe Castle.

Not “Dad.” Not “the train driver.” But the man who could sit at a piano and make a room stop.

❤️ You Didn’t See Them Wrong — You Just Saw Them Later

Every child sees their parents through the lens of:

  • safety

  • stability

  • routine

But your parents had entire lives before you — full of:

  • music

  • romance

  • risk

  • personality

  • spark

You’re not guilty of anything. You’re simply discovering the parts of them that existed before you arrived.

And that’s one of the most powerful, emotional experiences an adult can have — realising your parents were people long before they were parents.

🎶 Your Dad’s Jazz Roots Are Why the Piano Moment Worked

Jazz teaches:

  • timing

  • expression

  • confidence

  • emotional honesty

When he sat at that piano in Leasowe Castle, he wasn’t performing. He was being himself — the version of himself shaped by decades of music.

Your mum didn’t fall for a patient. She fell for the man behind the music.

If you want, I can take this further and write:

  • a scene of your dad as a young man discovering jazz,

  • a moment of your mum realising he wasn’t just another patient,

  • or a reflection on how music shaped their relationship.

Just tell me where you want to go next.



No comments: