Wednesday, 31 July 2024
Wednesday 07:30 to 14:30 Thorpe Station
============================================================
++++ Wednesday ++++ 07:30 to 14:30 Thorpe Station
755405 & 755406 & 755335 platform 2 for 1P15 07 30 Norwich Thorpe to London Liverpool Street night shift
745009 platform 1 arrived at 07:07 for 9P19 08 00 Norwich Thorpe to London Liverpool Street night 🌉 shift clean
755413 platform 4 1P00 06 39 Ipswich to Norwich Thorpe arrived at 07:19 for lock 🔒 up 5P90
Moved to Jubilee next to platform 7
745002 platform 2 1P02 06:00 London Liverpool Street to Norwich Thorpe arrived at 07:45 (07:47) for 1P21 08:30 Norwich Thorpe to London Liverpool Street cleaning 🧹🧼 toilets 🚽🪠🚾 may be ?
Barrow left by night shift full up, much better than yesterday.
745110 platform 1 1P04 06:25 London Liverpool Street to Norwich Thorpe arrived at 08:18 (08:20) for 1P23 09:00 Norwich Thorpe to London Liverpool Street cleaning 🧹🧼 toilets 🚽🪠🚾🚻
158770 platform 3 1L01 04:56 Nottingham Midland to Norwich Thorpe arrived at 08:10 (08:11) for 1R66 08:56 Norwich Thorpe to Liverpool Lime Street 14:29
745003 platform 2 1P06 07:00 London Liverpool Street to Norwich Thorpe arrived at 08:45 (08:47) for 1P25 09:32 Norwich Thorpe to London Liverpool Street 11:17 cleaning 🧹🧼 toilets 🚽🪠🚾🚻
745104 platform 1 1P08 07:30 London Liverpool Street to Norwich Thorpe arrived at 09:16 (09:19) for 1P27 10:00 Norwich Thorpe to London Liverpool Street 11:47 cleaning 🧹🧼 toilets 🚽🪠🚾🚻
745001 platform 2 1P10 08:00 London Liverpool Street to Norwich Thorpe arrived at 09:43 (09:45) for 1P29 10:30 Norwich Thorpe to London Liverpool Street 12:17 cleaning 🧹🧼 toilets 🚽🪠🚾
158857 platform 3 1L02 06:07 Nottingham Midland to Norwich Thorpe arrived at 09:37 (09:15 due) for 1R68 09:55 Norwich Thorpe to Liverpool Lime Street 15:29
745006 platform 1 1P12 08:30 London Liverpool Street to Norwich Thorpe arrived at 10:15 (10:18) not for 1P31 11:00 Norwich Thorpe to London Liverpool Street 12:47
745107 should be 1P31
745006 platform 1 1P12 08:30 London Liverpool Street to Norwich Thorpe arrived at 10:15 (10:18) for 1P31 11:00 Norwich Thorpe to London Liverpool Street 12:47 cleaning 🧹🧼 toilets 🚽🪠🚾🚻
Silly me, my brain 🧠 a hour ahead , 🤡
745102 platform 2 1P14 09:00 London Liverpool Street to Norwich Thorpe arrived at 10:46 (10:46) for 1P33 11 32 Norwich Thorpe to London Liverpool Street 13:17 cleaning 🧹🧼 toilets 🚽🪠🪠🚾
745004 platform 1 1P16 09:30 London Liverpool Street to Norwich Thorpe arrived at 11:15 (11:18) not for 1P35 12 00 Norwich Thorpe to London Liverpool Street 13:47 cleaning 🧹🧼 toilets 🚽🪠🚾
745107 from CPD for 1P35 12:00 Norwich Thorpe to London Liverpool Street
755421 Middle Road 🛣️, just noticed this at 11:09.
158780 platform 4b 1L05 07:43 Sheffield Midland to Norwich Thorpe arrived at 11:19 (due 11:10 expected 11:18) for 1R72 11:56 Norwich Thorpe to Liverpool Lime Street 17:29
755405 & 755406 & 755335 platform 2 1P18 10:00 London Liverpool Street to Norwich Thorpe arrived at 11:41 (11:44) for 1P37 12:32 Norwich Thorpe to London Liverpool Street 14:17 cleaning 🧹🧼 toilets 🚽🪠🚾
745- CPD Reception signal 🚥🚦 no 535 , notice at 11:33.
745004 platform 1 left at 11:41
755101 platform 1 arrived at 11:51 for 1P35 12:00 Norwich Thorpe to London Liverpool Street
745009 platform 1 1P20 10:30 London Liverpool Street to Norwich Thorpe arrived at. 12:19 (12:21) for 1P39 13:00 Norwich Thorpe to London Liverpool Street cleaning 🧹🧼 toilets 🚽🪠🚾
158866 platform 4B 1L06 07:16 Warrington Central to Norwich Thorpe arrived at 12:36 (due 12:13 expected 12:31 ) for 1R74 12:56 Norwich Thorpe to Liverpool Lime Street 18:29
The first train, 1L07 07:48 Liverpool Lime Street to Norwich Thorpe due 13:14, expect 13:27 platform 6
745002 platform 2 1P22 11:00 London Liverpool Street to Norwich Thorpe arrived at 12:42 (12:44) for 1P41 13:30 Norwich Thorpe to London Liverpool Street 15:17 cleaning 🧹🧼 toilets 🚽🪠🚾
745008 platform 1 1P24 11:30 London Liverpool Street to Norwich Thorpe arrived at 13:17 (13:18) for 1P43 14:00 Norwich Thorpe to London Liverpool Street 15:47 cleaning 🧹🧼 toilets 🚽🪠🚾🚻
158 platform 6 1L07 07:48 Liverpool Lime Street to Norwich Thorpe arrived at (due 13:14 expected 13:37) for 13:54 Norwich Thorpe to Liverpool Lime Street 19:29
Two days I could of done 12 hours, but I feel that I am booked enough hours, silly me is doing 12 hours tomorrow.
745003 my last train 🚆 for today ?
745008 platform 1 1P24 11:30 London Liverpool Street to Norwich Thorpe arrived at 13:17 (13:18) for 1P43 14:00 Norwich Thorpe to London Liverpool Street 15:47 cleaning 🧹🧼 toilets 🚽🪠🚾🚻
158862 platform 6 1L07 07:48 Liverpool Lime Street to Norwich Thorpe arrived at 13:40 (due 13:14 expected 13:37) for 1R76 13:54 Norwich Thorpe to Liverpool Lime Street 19:29
Two days I could of done 12 hours, but I feel that I am booked enough hours, silly me is doing 12 hours tomorrow.
745003 my last train 🚆 for today ?
745003 platform 2 1P26 12:00 London Liverpool Street to Norwich Thorpe arrived at 13:43 (13:44) for 1P45 14:30 Norwich Thorpe to London Liverpool Street 16:18 cleaning 🧹 🧼 toilets 🚽🪠🚾🚻
755420 & 755423 Low Level
745104 platform 1 1P28 12:30 London Liverpool Street to Norwich Thorpe arrived at 14:17 for 1P47 15:00 Norwich Thorpe to London Liverpool Street late shift
I am working 35 hours Monday to Friday 07:30 to 14:30, plus Sunday and Saturday Rest Day 12 hours each, 09:30 to 21:30, extra 24 hours = 59 hours, I am working Thursday 09:30 to 21:30, extra five hours = 64 hours.
but could of worked yesterday and today 12 hours, that would = 74 hours ? a little over 72 hours max, of course did not.
Evening Standard
I got back to the railway station in the afternoon, well early evening, to get some Evening Standards, used to get lots of them, but now days, there are very few copies to pick up.
There are plans to stop printing the weekday paper newspaper, and going weekly I think, online, because even with a free newspaper, there are less people reading it.
Monday
[15:42, 29/07/2024] Michael Noël Turner: 755418 Low Level coming out for service soon ?
[17:07, 29/07/2024] Michael Noël Turner: 755405 755406 755335 platform 2 for 17:30 Norwich Thorpe to London Liverpool Street
[17:09, 29/07/2024] Michael Noël Turner: 755410 platform 4 2P32 17:36 Norwich Thorpe to Great Yarmouth Vauxhall
[17:17, 29/07/2024] Michael Noël Turner: 745010 platform 1 1P40 15:30 London Liverpool Street to Norwich Thorpe arrived at 17:17 for 1P59 18:00 Norwich Thorpe to London Liverpool Street 19:52, for Evening Standards 📰🗞️🗞️🗞️📰
170208 just left (17:14) platform 6 for Liverpool Lime Street, sorry 1M82 16:56 Norwich Thorpe to Manchester Piccadilly 21:35
Tuesday
755405 755406 755335 platform 2 for 17:30 Norwich Thorpe to London Liverpool Street
755413 Middle Road
755415 platform 6
PAY UPDATE – TRAIN OPERATING COMPANIES
Home
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Members updates
PAY UPDATE – TRAIN OPERATING COMPANIES
Our Ref: BR2/15/4
30 July 2024
Dear RMT Member
PAY UPDATE – TRAIN OPERATING COMPANIES
A meeting has taken place today between your RMT negotiating team and senior officials from the Department for Transport.
I reiterated the need for an unconditional proposal on pay that will enable us to conclude the recent disputes at all of the TOCs, for all of our grades and members covered by collective bargaining.
Following a productive discussion, the DfT committed to formulating a definite proposal for your union to consider shortly.
A further meeting is being arranged where I expect to receive the proposal.
I will advise you of all developments.
Yours sincerely
Michael Lynch
General Secretary
745003 platform 4 1P40 15:30 London Liverpool Street to Norwich Thorpe arrived at 7:21 (17:20) for 1P59 18 00 Norwich Thorpe to London Liverpool Street 19:52 , looking for Evening Standards 📰🗞️🗞️🗞️🗞️
755336 platform 7 left at 17:18 for platform 5B and 17:36 Norwich Thorpe to Great Yarmouth Vauxhall 18:09.
Pulp | English Full Movie | Comedy Crime Drama
Pulp is a 1972 British comedy thriller film, directed by Mike Hodges and starring Michael Caine as Mickey King, a writer of cheap paperback detective novels.[1] The film features the final screen appearance of Lizabeth Scott.
Pulp, originally titled Memoirs of a Ghost Writer, was almost entirely shot on the island of Malta.[2] Facilities were provided by the then Malta Film Facilities and Intermed Sound Studio, later known as Britannia Film Sound Studios.
Writer Mickey King lives in Malta churning out a string of violent, sexually charged hardboiled pulp fiction novels under an array of lewd pen names like "S. Odomy".
King is offered an abnormally large sum to ghostwrite the autobiography of a mystery celebrity. The intrigued King agrees and is transported to a remote island, during which time he will make contact with a representative for the celebrity. King meets a man named Miller, who identifies himself as an English professor. King assumes Miller is the mysterious contact—until discovering Miller dead in his bathtub after a hotel room mix-up.
Finally arriving on the island, King meets his subject: Preston Gilbert. A retired movie star, Gilbert is known for portraying gangsters and notorious for hanging out with real-life mobsters off the set. Now suffering from cancer, the pompous, vain Gilbert wants King to immortalize his life story before he dies.
Gilbert is planning a fancy birthday celebration. Among the attendees is Princess Betty Cippola, a man-hungry social climber who seems to have a sordid history with Gilbert. However, after the party is underway and Gilbert has staged a practical joke, Miller returns, now dressed as a Catholic priest. Sensing danger, King flees as Miller opens fire, killing Gilbert. The partygoers assume it's another prank, and applaud as Gilbert dies.
Gilbert's death leaves King with no conclusion to his tale. Playing detective like the heroes of his stories, King pieces together the mystery. He learns that Gilbert's proposed autobiography has alarmed several of the actor's erstwhile associates, who worry their schemes and crimes might be exposed.
- Michael Caine as Mickey King
- Mickey Rooney as Preston Gilbert
- Lionel Stander as Ben Dinuccio
- Lizabeth Scott as Princess Betty Cippola
- Nadia Cassini as Liz Adams
- Dennis Price as The Englishman
- Al Lettieri as Miller
- Leopoldo Trieste as Marcovic
- Amerigo Tot as Partisan
- Robert Sacchi as The Bogeyman
- Ave Ninchi as Fat Chambermaid
| Pulp | |
|---|---|
 US film poster | |
| Directed by | Mike Hodges |
| Written by | Mike Hodges |
| Produced by | Michael Klinger |
| Starring | Michael Caine Mickey Rooney Lionel Stander Lizabeth Scott Nadia Cassini |
| Cinematography | Ousama Rawi |
| Edited by | John Glen |
| Music by | George Martin |
Production company | Three Michaels Film Productions |
| Distributed by | United Artists |
Release dates |
|
Running time | 95 minutes |
| Country | United Kingdom |
| Language | English |
Lionel Jay Stander (January 11, 1908 – November 30, 1994) was an American actor, activist, and a founding member of the Screen Actors Guild. He had an extensive career in theatre, film, radio, and television that spanned nearly 70 years, from 1928 until 1994. He was known for his distinctive raspy voice and tough-guy demeanor, as well as for his vocal left-wing political stances. One of the first Hollywood actors to be subpoenaed before the House Un-American Activities Committee, he was blacklisted from the late 1940s until the mid-1960s.
Following his experience with the Hollywood Blacklist, Stander moved to Europe, where he appeared in many genre films, including several Spaghetti Westerns. He returned to the United States later in the decade, playing the role of the majordomo Max on the 1980s mystery television series Hart to Hart, earning him a Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film.
Stander was born in The Bronx, New York City on 11 January 1908, to parents of Russian Jewish extraction.
During his one year at the University of North Carolina at Chapel Hill, he appeared in the student productions The Muse of the Unpublished Writer,[1]and The Muse and the Movies: A Comedy of Greenwich Village.
Stander's acting career began in 1928, as Cop and First Fairy in Him by E. E. Cummings, at the Provincetown Playhouse.[2] He claimed that he got the roles because one of them required shooting craps, which he did well, and a friend in the company volunteered him. He appeared in a series of short-lived plays through the early 1930s, including The House Beautiful, which Dorothy Parker famously derided as "the play lousy".[3]
Like many New York-based stage actors, Stander found additional work in movie short subjects filmed in New York. He signed with Vitaphone and was featured (without screen credit) in the two-reel comedy In the Dough (1933), with Roscoe Arbuckle and Shemp Howard. He made several other Vitaphone comedies, usually as a comic tough guy, villain, or authority figure; his last Vitaphone short was The Old Grey Mayor (1935) with Bob Hope in 1935. That same year, he was cast in a feature, Ben Hecht's The Scoundrel (1935), with Noël Coward. He moved to Hollywood and signed a contract with Columbia Pictures. Stander was in a string of films over the next three years, appearing most notably in Frank Capra's Mr. Deeds Goes to Town (1936) with Gary Cooper, Meet Nero Wolfe (1936) playing Archie Goodwin, The League of Frightened Men(1937), and A Star Is Born (1937) with Janet Gaynor and Fredric March.[citation needed]
Stander's distinctive rumbling voice, tough-guy demeanor, and talent with accents made him a popular radio actor. In the 1930s and 1940s, he was on The Eddie Cantor Show, Bing Crosby's KMH show, the Lux Radio Theater production of A Star Is Born, The Fred Allen Show,[4] the Mayor of the Town series with Lionel Barrymore and Agnes Moorehead, Kraft Music Hall on NBC, Stage Door Canteen on CBS, the Lincoln Highway Radio Show on NBC, and The Jack Paar Show, among others.
In 1941, he starred in a short-lived radio show called The Life of Riley on CBS (no relation to the radio, film, and television character later made famous by William Bendix). Stander played the role of Spider Schultz in both Harold Lloyd's film The Milky Way (1936) and its remake ten years later, The Kid from Brooklyn (1946), starring Danny Kaye. He was a regular on Danny Kaye's zany comedy-variety radio show on CBS (1946–1947), playing himself as "just the elevator operator" amidst the antics of Kaye, future Our Miss Brooks star Eve Arden, and bandleader Harry James.[citation needed]
Also during the 1940s, he played several characters on The Woody Woodpecker and Andy Panda animated theatrical shorts, produced by Walter Lantz Productions. For Woody Woodpecker, he provided the voice of Buzz Buzzard, but was blacklisted from the Lantz studio in 1951 and was replaced by Dal McKennon.
Stander espoused a variety of social and political causes, and was a founding member of the Screen Actors Guild. At a SAG meeting held during a 1937 studio technicians' strike, he told the assemblage of 2000 members: "With the eyes of the whole world on this meeting, will it not give the Guild a black eye if its members continue to cross picket lines?" (The NY Times reported: "Cheers mingled with boos greeted the question.") Stander also supported the Conference of Studio Unions in its fight against the Mob-influenced International Alliance of Theatrical Stage Employees (IATSE). Also in 1937, Ivan F. Cox, a deposed officer of the San Francisco longshoremen's union, sued Stander and a host of others, including union leader Harry Bridges, actors Fredric March, Franchot Tone, Mary Astor, James Cagney, Jean Muir, and director William Dieterle. The charge, according to Time magazine, was "conspiring to propagate Communism on the Pacific Coast, causing Mr. Cox to lose his job".[citation needed]
During the Spanish Civil War, Stander fundraised for the Republican cause, and later campaigned for the release of the Scottsboro Boys.[5] He was a member of the Popular Front from 1936 until 1939, and later the Hollywood Anti-Nazi League. Regarding his political beliefs, Stander later described himself as "lefter than the Left" and supported the Communist Party USA prior to the Molotov–Ribbentrop Pact (which he opposed), though he was never a registered member of the party nor considered himself one.[6]
In 1938, Columbia Pictures head Harry Cohn allegedly called Stander "a Red son of a bitch" and threatened a US$100,000 fine against any studio that renewed his contract. Despite critical acclaim for his performances, Stander's film work dropped off drastically. After appearing in 15 films in 1935 and 1936, he was in only six in 1937 and 1938. This was followed by just six films from 1939 through 1943, none made by major studios, the most notable being Guadalcanal Diary (1943).[citation needed]
 | This article possibly contains original research. (October 2017) |
Stander was among the first group of Hollywood actors to be subpoenaed before the House Un-American Activities Committee (HUAC) in 1940 for supposed Communist activities. At a grand jury hearing in Los Angeles in August 1940—the transcript of which was shortly released to the press—John R. Leech, the self-described former "chief functionary" of the Communist Party in Los Angeles, named Stander as a CP member, along with more than 15 other Hollywood notables, including Franchot Tone, Humphrey Bogart, James Cagney, Clifford Odets and Budd Schulberg. Stander subsequently forced himself into the grand jury hearing, and the district attorney cleared him of the allegations.
Stander appeared in few films in 1944 and 1945. Then, with HUAC's attentions focused elsewhere due to World War II, he played in a number of mostly second-rate pictures from independent studios through the late 1940s. These include Ben Hecht's Specter of the Rose (1946); the Preston Sturges comedy The Sin of Harold Diddlebock (1947) with Harold Lloyd; and Trouble Makers (1948) with The Bowery Boys. One classic emerged from this period of his career, the Preston Sturges comedy Unfaithfully Yours (1948) with Rex Harrison.
In 1947, HUAC turned its attention once again to Hollywood. That October, Howard Rushmore, who had belonged to the CPUSA in the 1930s and written film reviews for the Daily Worker, testified that writer John Howard Lawson, whom he named as a Communist, had "referred to Lionel Stander as a perfect example of how a Communist should not act in Hollywood." Stander was again blacklisted from films, though he played on TV, radio, and in the theater.[7]
In March 1951, actor Larry Parks, after pleading with HUAC investigators not to force him to "crawl through the mud" as an informer, named several people as Communists in a "closed-door session", which made the newspapers two days later. He testified that he knew Stander, but did not recall attending any CP meetings with him.[8]
At a HUAC hearing in April 1951, actor Marc Lawrence named Stander as a member of his Hollywood Communist "cell", along with screenwriter Lester Cole and screenwriter Gordon Kahn.[9] Lawrence testified that Stander "was the guy who introduced me to the party line", and that Stander said that by joining the CP, he would "get to know the dames more"[10] — which Lawrence, who did not enjoy film-star looks, thought a good idea. Upon hearing of this, Stander shot off a telegram to HUAC chair John S. Wood, calling Lawrence's testimony that he was a Communist "ridiculous" and asking to appear before the Committee, so he could swear to that under oath. The telegram concluded: "I respectfully request an opportunity to appear before you at your earliest possible convenience. Be assured of my cooperation." Two days later, Stander sued Lawrence for $500,000 for slander. Lawrence left the country ("fled", according to Stander) for Europe.
After that, Stander was blacklisted from TV and radio. He continued to act in theater roles, and played Ludlow Lowell in the 1952-53 revival of Pal Joey on Broadway and on tour.
Two years passed before Stander was issued the requested subpoena. Finally, in May 1953, he testified at a HUAC hearing in New York, where he made front-page headlines nationwide by being uproariously uncooperative, memorialized in the Eric Bentley play, Are You Now or Have You Ever Been. The New York Times headline was "Stander Lectures House Red Inquiry." In a dig at bandleader Artie Shaw, who had tearfully claimed in a Committee hearing that he had been "duped" by the Communist Party, Stander testified,
An excerpt from that statement was engraved in stone for "The First Amendment Blacklist Memorial" by Jenny Holzer at the University of Southern California.
Other notable statements during Stander's 1953 HUAC testimony:
Stander also denied having been a Communist "now or yesterday." But when asked if he had ever been a party member, he refused to answer, calling it "a trick question."[citation needed]
Stander was blacklisted from the late 1940s until 1965; perhaps the longest period.[11]
After that, Stander's acting career went into a free fall. He worked as a stockbroker on Wall Street, a journeyman stage actor, a corporate spokesman—even a New Orleans Mardi Gras king. He didn't return to Broadway until 1961 (and then only briefly in a flop) and to film in 1963, in the low-budget The Moving Finger (although he did provide, uncredited, the voice-over narration for the 1961 film noir Blast of Silence.)
Life improved for Stander when he moved to London in 1964 to act in Bertolt Brecht's Saint Joan of the Stockyards, directed by Tony Richardson, for whom he'd acted on Broadway, along with Christopher Plummer, in a 1963 production of Brecht's The Resistible Rise of Arturo Ui. In 1965, he was featured in the film Promise Her Anything. That same year Richardson cast him in the black comedy about the funeral industry, The Loved One, based on the novel by Evelyn Waugh, with an all-star cast including Jonathan Winters, Robert Morse, Liberace, Rod Steiger, Paul Williams and many others. In 1966, Roman Polanski cast Stander in his only starring role, as the thug Dickie in Cul-de-sac, opposite Françoise Dorléac and Donald Pleasence.
Stander stayed in Europe and eventually settled in Rome, where he appeared in many spaghetti Westerns, most notably playing a bartender named Max in Sergio Leone's Once Upon a Time in the West. He played the role of the villainous mob boss in Fernando Di Leo's 1972 poliziottesco thriller Caliber 9. In Rome he connected with Robert Wagner, who cast him in an episode of It Takes a Thief that was shot there. Stander's few English-language films in the 1970s include The Gang That Couldn't Shoot Straight with Robert De Niro and Jerry Orbach, Steven Spielberg's 1941, and Martin Scorsese's New York, New York, which also starred De Niro and Liza Minnelli.
Stander played a supporting role in the TV film Revenge Is My Destiny with Chris Robinson. He played a lounge comic modeled after the real-life Las Vegas comic Joe E. Lewis, who used to begin his act by announcing "Post Time" as he sipped his ever-present drink.
After 15 years abroad, Stander moved back to the U.S. for the role he is now most famous for: Max, the loyal butler, cook, and chauffeur to the wealthy, amateur detectives Jonathan and Jennifer Hart played by Robert Wagner and Stefanie Powerson the 1979–1984 television series Hart to Hart (and a subsequent series of Hart to Hart made-for-television films). In 1982, Stander won a Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film.
In 1986, he became the voice of Kup in The Transformers: The Movie. In 1991 he was a guest star in the television series Dream On, playing Uncle Pat in the episode "Toby or Not Toby". His final theatrical film role was as a dying hospital patient in The Last Good Time (1994), with Armin Mueller-Stahl and Olivia d'Abo, directed by Bob Balaban.
Stander died of lung cancer in Los Angeles, California, in 1994 at age 86.[citation needed]
| Title | Year | Role | Notes |
|---|---|---|---|
| In the Dough | 1933 | Toots | Short, uncredited |
| The Scoundrel | 1935 | Rothenstien | |
| Hooray for Love | 1935 | Chowsky | |
| We're in the Money | 1935 | Leonidus Giovanni 'Butch' Gonzola | |
| Page Miss Glory | 1935 | Nick Papadopolis | |
| The Gay Deception | 1935 | Gettel | |
| I Live My Life | 1935 | Yaffitz, Bridge Player | |
| If You Could Only Cook | 1935 | Flash | |
| Soak the Rich | 1936 | Muglia (kidnapper) | |
| The Milky Way | 1936 | Spider Schultz | |
| The Music Goes 'Round | 1936 | O'Casey | |
| Mr. Deeds Goes to Town | 1936 | Cornelius Cobb | |
| Meet Nero Wolfe | 1936 | Archie Goodwin | |
| They Met in a Taxi | 1936 | Fingers Garrison | |
| More Than a Secretary | 1936 | Ernest | |
| I Loved a Soldier | 1936 | Unfinished | |
| A Star Is Born | 1937 | Matt Libby | |
| The League of Frightened Men | 1937 | Archie Goodwin | |
| The Last Gangster | 1937 | 'Curly' | |
| No Time to Marry | 1938 | Al Vogel | |
| Professor Beware | 1938 | Jerry | |
| The Crowd Roars | 1938 | 'Happy' Lane | |
| The Ice Follies of 1939 | 1939 | Mort Hodges | |
| What a Life | 1939 | Ferguson | |
| The Bride Wore Crutches | 1940 | 'Flannel-Mouth' Moroni | |
| Hit Parade of 1941 | 1940 | Uncredited | |
| Hangmen Also Die! | 1943 | Banya | |
| Tahiti Honey | 1943 | Pinkie | |
| Guadalcanal Diary | 1943 | Sgt. Butch | |
| Fish Fry | 1944 | Cat (voice) | Uncredited |
| The Big Show-Off | 1945 | Joe Bagley | |
| The Kid from Brooklyn | 1946 | Spider Schultz | |
| In Old Sacramento | 1946 | Eddie Dodge | |
| A Boy, a Girl and a Dog | 1946 | Jim | |
| Specter of the Rose | 1946 | Lionel Gans | |
| Gentleman Joe Palooka | 1946 | Harry Mitchell | |
| The Sin of Harold Diddlebock | 1947 | Max | |
| Call Northside 777 | 1948 | Corrigan - Wiecek's Cellmate | Uncredited |
| Texas, Brooklyn & Heaven | 1948 | Bellhop | |
| Wet Blanket Policy | 1948 | Buzz Buzzard (voice) | Short, uncredited |
| Unfaithfully Yours | 1948 | Hugo Standoff | |
| Trouble Makers | 1948 | 'Hatchet' Moran | |
| Wild and Woody! | 1948 | Buzz Buzzard (voice) | Short, uncredited |
| Drooler's Delight | 1949 | Buzz Buzzard (voice) | Short, uncredited |
| Two Gals and a Guy | 1951 | Mr. Seymour | |
| St. Benny the Dip | 1951 | Monk Williams | |
| Blast of Silence | 1961 | Narrator (voice) | Uncredited |
| The Moving Finger | 1963 | Anatole | |
| The Loved One | 1965 | The Guru Brahmin | |
| Promise Her Anything | 1966 | Sam | |
| Cul-de-sac | 1966 | Richard | |
| Seven Times Seven | 1968 | Sam | |
| A Dandy in Aspic | 1968 | Sobakevich | |
| Beyond the Law (Al di là della legge) | 1968 | Preacher | |
| Gates to Paradise | 1968 | The Monk | |
| Once Upon a Time in the West | 1968 | Barman | |
| H2S | 1969 | Luigi Pavese | |
| Giacomo Casanova: Childhood and Adolescence | 1969 | Don Tosello | |
| Zenabel | 1969 | Pancrazio | |
| Boot Hill | 1969 | Mamy | |
| The Naughty Cheerleader | 1970 | The Admiral | |
| Crepa padrone, crepa tranquillo | 1970 | ||
| Between Miracles | 1971 | Oreste Micheli | |
| The Gang That Couldn't Shoot Straight | 1971 | Baccala | |
| We Are All in Temporary Liberty | 1971 | Lawyer Bartoli | |
| Stanza 17-17 palazzo delle tasse, ufficio imposte | 1971 | Katanga | |
| Caliber 9 | 1972 | Americano/Mikado | |
| The Eroticist | 1972 | Cardinal Maravidi | |
| Pulp | 1972 | Ben Dinuccio | |
| Tutti fratelli nel West… per parte di padre | 1972 | ||
| Don Camillo e i giovani d'oggi | 1972 | Peppone | |
| Treasure Island | 1972 | Billy Bones | |
| Sting of the West' | 1972 | Stinky Manure | |
| The Adventures of Pinocchio | 1972 | Mangiafuoco | |
| Halleluja to Vera Cruz | 1973 | Sam 'Tonaca"' Thompson | |
| Pete, Pearl & the Pole | 1973 | Sparks | |
| Dirty Weekend | 1973 | General | |
| The Black Hand (The Birth of the Mafia) | 1973 | Lieutenant Giuseppe Petrosino | |
| My Pleasure Is Your Pleasure | 1973 | Il marchese Cavalcanti / Il cardinale di Ragusa | |
| Crescete e moltiplicatevi | 1973 | ||
| Viaggia, ragazza, viaggia, hai la musica nelle vene | 1973 | ||
| The Sensual Man | 1973 | Baron Castorini | |
| Innocence and Desire | 1974 | Salvatore Niscemi | |
| Di mamma non ce n'è una sola | 1974 | Elia | |
| La via dei babbuini | 1974 | ||
| Cormack of the Mounties | 1975 | Doctor Higgins | |
| Mark of Zorro | 1975 | Padre Donato | |
| La novizia | 1975 | Don Nini | |
| The Black Bird | 1975 | Gordon Immerman | |
| San Pasquale Baylonne protettore delle donne | 1976 | Don Gervasio | |
| The Cassandra Crossing | 1976 | Max, the Train Conductor | |
| New York, New York | 1977 | Tony Harwell | |
| Matilda | 1978 | Pinky Schwab | |
| Cyclone | 1978 | Taylor | |
| The Rip-Off | 1978 | Sam | |
| 1941 | 1979 | Angelo Scioli | |
| The Transformers: The Movie | 1986 | Kup (voice) | |
| Bellifreschi | 1987 | Frank Santamaria | |
| Wicked Stepmother | 1989 | Sam | |
| Cookie | 1989 | Enzo Della Testa | |
| Joey Takes a Cab | 1991 | Joey | |
| The Last Good Time | 1994 | Howard Singer |
| Year | Program | Episode/source |
|---|---|---|
| 1937 | Lux Radio Theatre | Mr. Deeds Goes to Town[12] |
January 11, 1908
- Lucy Dietz(m. 1928; div. 1936)
Alice Twitchell(m. 1938; div. 1942) Vehanne Monteagle(m. 1945; div. 1950) Diana Radbec(m. 1953; div. 1963) Maria Penn(m. 1963; div. 1967) Stephanie Van Hennick(m. 1971)